Defenestration: Photographs from the Urban Landscape
2012
This collaborative body of work establishes links between the technical aspects of large format camera work and the platinum-palladium process, as well as the cultural aspects of landscape photography. Most often considered as a personally expressive genre, landscape photography takes its form out of deeply ingrained cultural philosophical frameworks. It goes on to examine how the very idea of vista or ‘scape’, for instance as an object of beauty or contemplation, or communion with nature itself, conditions the way communities actually shape the environment.
This series is collected in an editioned portfolio and is in the Photographic History Collection of the Smithsonian's National Museum of American History.
Katherine Hanks. Lookout Mountain. Chattanooga, TN. February 2012. 8x10. Platinum-Palladium Print.
Caroline Minchew. Behind the Old Barn in February. Sewanee, TN. February 2012. 4x5. Platinum-Palladium Print.
Greg Petropolous. Junction. Winchester, TN. February 2012. 4x5. Platinum-Palladium Print.
Will Watson. How is the Passing? Breakfield Road. Sewanee, TN. April 2012. 8x10. Platinum-Palladium Print.
Compton Fields. Over and Under. Chattanooga, TN. March 2012. 8x10. Platinum-Palladium Print.
Kathryn Spencer. Writings on the Wall. Sewanee, TN. March 2012. 4x5. Platinum-Palladium Print.
Dylan Orlady. Brink. Winchester, TN. March 2012. 8x10. Platinum-Palladium Print.
Geno Schlichting. Pick One. Sewanee, TN. 2012. 4x5. Platinum-Palladium Print.
Pradip Malde. Olive Tree. Tank. Paros, Greece. 2012. 8x10. Platinum-Palladium Print.
Ashley Block. Betty Lou. Sewanee, TN. April 2012. 4x5. Platinum-Palladium Print.
Chandler Sowden. Prairie Chapel Road. Dechard, TN. April 2012. 8x10. Platinum-Palladium Print.
Emily Duncan. Hydrangeas. Sewanee, TN. March 2012. 4x5. Platinum-Palladium Print.